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authornicolas <nicolas@b3059339-0415-0410-9bf9-f77b7e298cf2>2004-02-02 22:07:28 +0000
committernicolas <nicolas@b3059339-0415-0410-9bf9-f77b7e298cf2>2004-02-02 22:07:28 +0000
commit33e9d59bd5c3f8aeb2f5ea9dcbb58ab38644a2b3 (patch)
treeb0fa39d66ced3675a07ce29a2ccc5af095354a6c /DOCS
parent32ebccbe67dbe136efd10acec1c790e0d509f53f (diff)
downloadmpv-33e9d59bd5c3f8aeb2f5ea9dcbb58ab38644a2b3.tar.bz2
mpv-33e9d59bd5c3f8aeb2f5ea9dcbb58ab38644a2b3.tar.xz
duplicate words and spaces removed
git-svn-id: svn://svn.mplayerhq.hu/mplayer/trunk@11914 b3059339-0415-0410-9bf9-f77b7e298cf2
Diffstat (limited to 'DOCS')
-rw-r--r--DOCS/xml/en/mencoder.xml16
1 files changed, 8 insertions, 8 deletions
diff --git a/DOCS/xml/en/mencoder.xml b/DOCS/xml/en/mencoder.xml
index 5dc70154ae..8d1183f8eb 100644
--- a/DOCS/xml/en/mencoder.xml
+++ b/DOCS/xml/en/mencoder.xml
@@ -965,7 +965,7 @@ Notes:
<title>Mixed progressive and interlaced</title>
<para>
In &quot;mixed progressive and interlaced&quot; content, progressive
- and interlaced video have been have been spliced together.
+ and interlaced video have been spliced together.
</para>
<para>
@@ -1050,12 +1050,12 @@ Notes:
<listitem><para>
Use a deinterlacing filter before encoding. There are several of
these filters available to choose from, each with its own advantages
- and disadvantages. Consult <option>mplayer -pphelp</option> to see
+ and disadvantages. Consult <option>mplayer -pphelp</option> to see
what's available (grep for &quot;deint&quot;), and search the
<ulink url="http://www.mplayerhq.hu/homepage/design6/info.html#mailing_lists">
MPlayer mailing lists</ulink> to find many discussions about the
various filters. Again, the framerate is not changing, so no
- <option>-ofps</option>. Also, deinterlacing should be done after
+ <option>-ofps</option>. Also, deinterlacing should be done after
cropping <link linkend="menc-feat-telecine-footnotes">[1]</link> and
before scaling.
@@ -1080,7 +1080,7 @@ Notes:
use this method, then Reference the manual, and chose whichever
option looks best for your material. Note that when using
<option>tfields</option> you
- <emphasis role="bold">have to </emphasis> specify both
+ <emphasis role="bold">have to</emphasis> specify both
<option>-fps</option> and <option>-ofps</option> to be twice the
framerate of your original source.
@@ -1091,7 +1091,7 @@ Notes:
only one of the two fields. Of course, you'll lose half the vertical
resolution, but if you plan on downscaling to at most 1/2 of the
original, the loss won't matter much. The result will be a
- progressive 29.97 frames per second file. The procedure is to use
+ progressive 29.97 frames per second file. The procedure is to use
<option>-vf field</option>, then crop
<link linkend="menc-feat-telecine-footnotes">[1]</link> and scale
appropriately. Remember that you'll have to adjust the scale to
@@ -1116,7 +1116,7 @@ Notes:
Currently the most reliable method to deal with this type of video
is to, rather than inverse-telecine the telecined parts, telecine
the non-telecined parts and then inverse-telecine the whole
- video. Sound confusing? softpulldown is a filter that goes through
+ video. Sound confusing? softpulldown is a filter that goes through
a video and makes the entire file telecined. If we follow
softpulldown with either <option>detc</option> or
<option>ivtc</option>, the final result will be entirely
@@ -1139,7 +1139,7 @@ Notes:
<application>MEncoder's</application> behavior of dropping frames to
maintain synchronization between the audio and video: it drops
frames before sending them through the filter chain, rather than
- after. As a result, <option>pullup</option> is sometimes deprived
+ after. As a result, <option>pullup</option> is sometimes deprived
of the data it needs.
</para>
@@ -1255,7 +1255,7 @@ Notes:
<para>
When you are dealing with interlaced YUV 4:2:0, the situation is a
bit more complicated. Instead of every four luma pixels in the
- <emphasis>frame </emphasis> sharing a chroma pixel, every four luma
+ <emphasis>frame</emphasis> sharing a chroma pixel, every four luma
pixels in each <emphasis> field</emphasis> share a chroma
pixel. When fields are interlaced to form a frame, each scanline is
one pixel high. Now, instead of all four luma pixels being in a