| Commit message (Collapse) | Author | Age | Files | Lines |
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This helps the filter to adapt much faster to speed changes. Before this
commit, the filter just converted and output the full input frame, which
could cause problems with large input frames. This was made worse by
certain filters like dynaudnorm or loudnorm outputting pretty large
frames.
This commit changes the filter from trying to convert all input at once
to only outputting a single internally filtered frame. Internally, this
filter already output data in units of 60ms by default (controlled by
the "stride" sub-option), and concatenated as many output frames as
necessary to consume all input.
Behavior is still kind of bad when inserting the filter. This is because
the large frames can be buffered up after the insertion point, so the
speed change will be performed with a larger latency. The scaletempo
filter can't do anything against this, although it can be fixed by
inserting scaletempo as user filter as part of --af.
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Use the new filtering code for audio too.
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All authors have agreed.
The initial commit d33703496c as well as the current code contain this
line:
* inspired by SoundTouch library by Olli Parviainen
We assume this is about the algorithm (not the code), and the author of
the original patch actually wrote all code himself.
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Actually, it didn't really require that before (most work was avoided),
but some bits had to be run anyway. Separate the speed change into a
light-weight function, which merely updates already created filters, and
a heavy-weight one which messes with filter insertion.
This also happens to fix the case where the filters would "forget" the
current speed (force resampling, change speed, hit a volume control to
force af_volume insertion - it will reset speed and desync).
Since we now always run the light-weight function, remove the
af_scaletempo verbose message that is printed on speed setting. Other
than that, all setters are cheap.
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Signed-off-by: wm4 <wm4@nowhere>
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Fixes #1743 and partially #1780.
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Handle the failure gracefully, instead of exploding and disabling audio.
Just set the speed back to 1.0.
Also remove the AF_DETACH from af_scaletempo. This actually created a
dangling pointer in af_add(), a tricky consequence of af_add()
reconfiguring the filter chain and the newly added filter using
AF_DETACH. Fortunately the AF_DETACH is not needed (and probably never
worked - it comes from MPlayer times, and MPlayer also disables audio
when trying to change speed with spdif).
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This matters only when setting obscure scaletempo suboptions.
See #1653.
(But what we really should do is figuring out how to do this in a sane
way.)
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Staring at the code a bit, it turns out that changing speed without
losing state is quite easy. The initialization code is big and
complicated, but most of it is specific only to the configured audio
format, not the speed.
Refactor the code so that changing speed at runtime could work. (It's
not actually used yet - the player code still does a complete reinit.
This will be fixed in the next commit.)
The "if (s->speed_tempo == s->speed_pitch)" looks a bit strange, but
does the same thing as the code did before: speed can be changed only if
exactly one flag is set. If both are set or none, speed can't be
changed.
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This code skipped initialization if no speed/pitch change was to be
applied.
It also didn't force conversion of the audio to a supported format,
which is probably the most important case in context of compatibility.
With this change applied, af_scaletempo will always force format
conversion.
To make the change less disruptive, make the filter detach if
unconvertable formats are used. Some users use spdif and also have
"af=scaletempo" in their config, so better not completely break this.
In the case the filter was added with the "speed=both" suboption, the
filter also detached itself in this case; but it's an obscure case, so I
don't care about that.
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The purpose of this function was to filter only as much audio input as
needed to produce a certain amount of audio output. This could (in
theory) avoid excessive buffering when e.g. changing playback speed with
resampling.
Use of this was already removed in commit 5fd8a1e0. No problems were
experienced, so let's assume this feature is practically worthless.
(Though it's possible that it was quite useful over a decade ago, or in
some cornercases with evil files.)
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From what I understand the division is to align the dimension of the
value from seconds to milliseconds. Hard to tell whether the "rounding"
was intentional or not; I'm tipping on "not".
Found by Coverity.
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While I'm not very fond of "const", it's important for declarations
(it decides whether a symbol is emitted in a read-only or read/write
section). Fix all these cases, so we have writeable global data only
when we really need.
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These are now appended automatically, so you'd get them twice before
this commit.
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Since m_option.h and options.h are extremely often included, a lot of
files have to be changed.
Moving path.c/h to options/ is a bit questionable, but since this is
mainly about access to config files (which are also handled in
options/), it's probably ok.
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The new signature is actually closer to how it actually works, and
someone who is not familiar to the API and how it works might make fewer
fatal mistakes with the new signature than the old one. Pretty weird.
Do this to sneak in a flags parameter, which will later be used to flush
remaining data of at least vf_lavfi.
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This could lead to (barely) audible artifacts with --af=scaletempo and
modified playback speed.
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The AF control commands used an elaborate and unnecessary organization
for the command constants. Get rid of all that and convert the
definitions to a simple enum. Also remove the control commands that
were not really needed, because they were not used outside of the
filters that implemented them.
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You get the native format by not appending any suffix to the format.
This change includes user-facing names, e.g. for the --format option.
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Before this commit, the af_instance->mul/delay values were in bytes.
Using bytes is confusing for non-interleaved audio, so switch mul to
samples, and delay to seconds. For delay, seconds are more intuitive
than bytes or samples, because it's used for the latency calculation.
We also might want to replace the delay mechanism with real PTS
tracking inside the filter chain some time in the future, and PTS
will also require time-adjustments to be done in seconds.
For most filters, we just remove the redundant mul=1 initialization.
(Setting this used to be required, but not anymore.)
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Allocate af_instance->data in generic code before filter initialization.
Every filter needs af->data (since it contains the output
configuration), so there's no reason why every filter should allocate
and free it.
Remove RESIZE_LOCAL_BUFFER(), and replace it with mp_audio_realloc_min().
Interestingly, most code becomes simpler, because the new function takes
the size in samples, and not in bytes. There are larger change in
af_scaletempo.c and af_lavcac3enc.c, because these had copied and
modified versions of the RESIZE_LOCAL_BUFFER macro/function.
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Based on earlier work by Stefano Pigozzi.
There are 2 changes:
1. Instead of mp_audio.audio, mp_audio.planes[0] must be used.
2. mp_audio.len used to contain the size of the audio in bytes. Now
mp_audio.samples must be used. (Where 1 sample is the smallest unit
of audio that covers all channels.)
Also, some filters need changes to reject non-interleaved formats
properly.
Nothing uses the non-interleaved features yet, but this is needed so
that things don't just break when doing so.
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Also do some cosmetic changes, like merging definition and
initialization of local variables.
Remove an annoying debug mp_msg() from af_open(). It just printed the
command line parameters; if this is really needed, it could be added
to af.c instead (similar as to what vf.c does).
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Drop the author and comment fields. They were completely unused - not
even printed in verbose mode, just dead weight.
Also use designated initializers and drop redundant flags.
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Followup commit. Fixes all the files references.
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The --speed option and the speed property used float. Change them to
double.
Change the commands that manipulate the property (speed_mult/add) to
double as well. Since the cycle command shares code with the add
command, we change that as well.
The reason for this change is that this allows better control over
speed, such as stepping by semitones. Using floats is also just plain
unnecessary.
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mp_audio has some redundant fields. Setters like mp_audio_set_format()
initialize these properly.
Also move the mp_audio struct to a the file audio.c.
We can remove a mysterious line of code from af.c:
in.format |= af_bits2fmt(in.bps * 8);
I'm not sure if this was ever actually needed, or if it was some kind of
"make it work" quick-fix that works against the way things were supposed
to work. All filters etc. now set the format correctly, so if there ever
was a need for this code, it's definitely gone.
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The change in af_scaletempo actually fixes a memory leak. af->data
contained a pointer to an allocated buffer, which was overwritten
during format negotiation. Set the format explicitly instead.
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Finish renaming directories and moving files. Adjust all include
statements to make the previous commit compile.
The two commits are separate, because git is bad at tracking renames
and content changes at the same time.
Also take this as an opportunity to remove the separation between
"common" and "mplayer" sources in the Makefile. ("common" used to be
shared between mplayer and mencoder.)
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Tis drops the silly lib prefixes, and attempts to organize the tree in
a more logical way. Make the top-level directory less cluttered as
well.
Renames the following directories:
libaf -> audio/filter
libao2 -> audio/out
libvo -> video/out
libmpdemux -> demux
Split libmpcodecs:
vf* -> video/filter
vd*, dec_video.* -> video/decode
mp_image*, img_format*, ... -> video/
ad*, dec_audio.* -> audio/decode
libaf/format.* is moved to audio/ - this is similar to how mp_image.*
is located in video/.
Move most top-level .c/.h files to core. (talloc.c/.h is left on top-
level, because it's external.) Park some of the more annoying files
in compat/. Some of these are relicts from the time mplayer used
ffmpeg internals.
sub/ is not split, because it's too much of a mess (subtitle code is
mixed with OSD display and rendering).
Maybe the organization of core is not ideal: it mixes playback core
(like mplayer.c) and utility helpers (like bstr.c/h). Should the need
arise, the playback core will be moved somewhere else, while core
contains all helper and common code.
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